Get ready to fall in love with a new cinematic masterpiece! The team behind Indonesia’s blockbuster hit ‘Jumbo’ is back, and this time, they’re bringing a live-action adaptation of the beloved children’s novel ‘Na Willa’ to life. But here’s where it gets exciting: this isn’t just another film—it’s a heartfelt celebration of childhood, family, and the vibrant spirit of Indonesia in the 1960s. And this is the part most people miss: it’s also director Ryan Adriandhy’s live-action debut, marking a bold new chapter in his career.
Visinema Studios, the powerhouse behind ‘Jumbo,’ is spearheading this project, reuniting the dynamic trio of Adriandhy, producer Anggia Kharisma, and producer Novia Puspa Sari. Together, they’re crafting a story centered on a young girl’s imaginative journey through everyday life in Surabaya. The studio promises a film that doesn’t just tug at your heartstrings but also immerses you in a visually stunning and emotionally rich experience.
But here’s where it gets controversial: Can ‘Na Willa’ capture the same magic that made ‘Jumbo’ a cultural phenomenon? Herry Salim, Visinema’s group president, believes so, stating, ‘‘Na Willa’ carries forward the spirit that made ‘Jumbo’ so special.’** Yet, adapting a cherished novel to the screen is no small feat. Adriandhy, however, seems up to the challenge, having fallen in love with the story’s honesty and simplicity from the start. He’s spent years envisioning how to bring the world of ‘Na Willa’ to life through a child’s eyes.
The film stars newcomer Luisa Adreena in the title role, alongside seasoned actors Irma Rihi and Junior Liem. With production already underway, ‘Na Willa’ is set to hit Indonesian theaters in 2026. Author Reda Gaudiamo has full confidence in the team, noting, ‘I know ‘Na Willa’ is in the right hands of those who truly love her, and I can feel that warmth in every detail.’
Visinema Studios is riding high after ‘Jumbo’s’ record-breaking success, which became not only Indonesia’s most-watched film but also the highest-grossing Southeast Asian animated film ever. The studio has since expanded its horizons, venturing into international co-productions like ‘Panggil Aku Ayah’ (Call Me Dad) with CJ ENM and collaborating with Pinkfong on the puppet series ‘Domikado.’
Here’s a thought-provoking question for you: As ‘Na Willa’ aims to celebrate Indonesian family life, how do you think it will resonate with global audiences? Will its universal themes of childhood and imagination transcend cultural boundaries, or is its appeal inherently tied to its local roots? Let us know in the comments—we’d love to hear your thoughts!
